21 May 2026 ・ 20:00 ・ ARTist's
KARM
Michal Wróblewski – Altsaxophon und Klarinette
Torsten Papenheim – akustische Gitarre und Objekte
Intimate sounds from artists with patience and reserve.
Lost In A Sea Of Sound, USA
KARM sind der Prager Holzbläser Michal Wróblewski und Gitarrist Torsten Papenheim aus Berlin. Seit Sommer 2020 arbeiten die beiden Musiker als Duo zusammen und loten in einem eigenen strengen Idiom geräuschvolle Klangräume aus.
Ausgehend von einem rein akustischen Aufbau und jenseits der üblichen Klänge ihrer Instrumente entwerfen Papenheim und Wróblewski gemeinsam eine Musik, der es gelingt, gleichzeitig sparsam und verdichtet zu wirken.
KARM haben in den vergangenen Jahren zahlreiche Tourneen und Festivalauftritte in Deutschland, Österreich , Tschechien und Slowakei absolviert. Im Frühjahr 2024 war das Duo zudem auf einer zweiwöchigen Konzertreise in Japan zu Gast.
2022 erschien die Debüt-CD KRAM bei Ma Records, im Oktober 2024 wurde beim gleichen Label die Kassette HAKO von KARM und Kohsetsu Imanishi veröffentlicht.
KARM is Michal Wróblewski (Prague) and Torsten Papenheim (Berlin). With a purely acoustic setup the duo creates sonic spaces way beyond the familiar sounds of their instruments. Playing in their own strict idiom, KARM focuses on subtle developments, creating music that manages to be both spare and condensed.
KARM has played numerous tours and festival appereances in Germany, Czech Republic, Slovakia and Austria. In spring 2024 the duo toured in Japan.
Their debut CD KRAM was released on Czech label Ma Records in 2022, the MC HAKO by KARM and koto player Kohsetsu Imanishi came out on the same label in fall 2024.
BEAM SPLITTER
BEAM SPLITTER – Audrey Chen (US) and Henrik Munkeby Nørstebø (NO) –
is a duo for amplified voice, trombone and analog electronics based in Berlin, Germany.
Through numerous performances in a wide range of spaces, contexts and collaborations, they have developed a unique brand of highly amplified dialog, which is as intimate as it is equal amounts raw and entirely exposed. The duo have toured extensively across five continents since 2015, joining together their two individual voices into a distinct language that delves beyond the borders of the corporeal elements of un-processed voice and trombone, while utilizing analog electronics to offset their hyper extended physical play.
Their latest duo album “SPLIT JAW” was released on Nat Baldwin’s Tripticks Tapes in 2023. This bite size format packs an entire universe of their crafted sputter, breath and glitch inside its forty-five minute magnetic tape loop. The album is one third introspective Berlin studio production and the rest, live from a splintering concert given at Wels Unlimited Festival in Austria, their last concert of 2022 where audience and the duo alike giving it their all center of room, split open like hollow bones head to clavicle, muscles twitching and air spewing, breaking ground and mending it with alien hums. Further recent releases include “Beauties” (2023) with Lønning and Reinertsen, and “Wrists out” (2024) with Phil Minton.
Since 2020, the pair have been organizing Dedicated play, an artistic and curatorial platform fostering community building and genre-breaking intersections of experimental musicians and artists from a diversity of social, cultural, and musical backgrounds. The project has taken shape as a concert series in collaboration with Morphine Raum (Berlin), an online album presentation, a festival in Berlin and London co-curated with Hyunhye Angela Seo (Xiu Xiu), and select satellite events.
BEAM SPLITTER have taken part in larger commissioned works at the Teatro Colón, Buenos Aires and largely conceptualized a theatrical adaptation of MEDEA in front of the Olympic Stadium in Kyiv, Ukraine (for butoh dancers and musicians) produced by the Ukho Agency.
Festival/venue performances include Sonoscopia (Porto), National Museum of Natural History (Kyiv), Issue Project Room (New York City), Festival Music Unlimited (Wels), Avant Art Festival (Warsaw+Wroclaw), Mayhem (Copenhagen), Trigger (Shanghai), Nameless Sound (Houston), Zebulon (Los Angeles), Gogolfest (Kyiv), Kongsberg jazz festival, Simultan festival (Timișoara), Morphine Raum (Berlin), The Lab (San Francisco), CCRMA Stanford university, Asphalt Festival (Düsseldorf), Fylkingen (Stockholm), Tiehua Music Village (Taitung), Teatro Colón (Buenos Aires), Audio Foundation (Auckland), Send+Receive (Winnipeg) and Météo Mulhouse Music Festival.
